Life and Life Drawing

Things are a little quiet on the exhibiting front at the moment, but ideas are still flinging themselves at me and so I’m fairly busy in my studio creating new work. One such painting is ‘The Artist and Her Cat’ a mixed media work on board was recently finished. It took about 3 weeks from concept to completion, and there was a lot of umming and ahhhing along the way, chopping and changing, playing around with what works what doesnt. This process can get a little tedious and soul destroying because it often feels like I can’t find my way. But I know in my heart of hearts I have to just trust the process and stick with it. 95% of the time a painting will work, it will materialise. It may not be 100% like I envisioned, but that’s not a bad thing at all. As for the other 5%, that’s fine. Its not failure. Its a learning curve. It is all about ‘the process, not the outcome’ ( illustrator and drawing guru, Jake Spicer) and I totally 100% agree. Also, these days I do try to take a positive out of a negative especially with my art practice. I think that mindset has come with experience and age!

And so to life’s other pleasure this week, Life Drawing - oh my goodness, I love a spot of life drawing! There’s something really heartwarming about a group of creative people who come together to draw, drink tea (or coffee) and spend a few hours of the day in each other’s company at the easel.

I have met some lovely fellow artists this way and I’ve come across some fabulous life models over the years too from the East Sussex circuit, many who have featured in Jake Spicer’s ‘Figure Drawing, A Complete Guide to Drawing the Human Body’ https://www.amazon.co.uk/Figure-Drawing-complete-guide-drawing/dp/1781577021 Its funny to open a book and see so many familiar faces and bodies. I highly recommend this book, by the way.

This week I went again to Stone Street Art Group (outskirts of Sevenoaks), a friendly bunch of mixed ability creatives who gather every other Wednesday afternoon in the village hall to hone their life drawing skills. The group is run by Derly James (wife of NEAC member Andrew James, a very talented portrait painter based here in Tunbridge Wells). The session starts at 1.30 pm - 4.30 pm with timed poses some short, medium and ending on a long one. This week Alex was our life model, a creative photographer by profession but also a talented life model who does not flinch, delivering some A-mazing poses. I would highly recommend him to any life drawing group.

Here’s one of my sketches. I love working in charcoal, its so forgiving and light/shade is easily achieved if you don’t mind mucky fingers. But other creatives worked in ink, watercolour, oils/acrylic, pencil. Honestly, its whatever you feel most comfortable with.

Finally, I think like any form of creativity, life drawing is a great way to feel part of something, to relax and take your mind off life’s stresses. You don’t have to be a Leonardo da Vinci - far from it - just to have the interest, enthusiasm and the willingness to leave all preconceptions at the door. Just go with the flow!!

insta @stonestreetartgroup and @andrewrpneac (Andrew James portrait painter)

Back again soon!

Illustration

My love for creativity sometimes takes my focus away from the easel. I often think it would be easier if I was just a painter through and through and thats all I did from one day to the next. But, I’m a dabbler who likes to cross creative boundaries in search of new experiences and possibly a new journey.

Recently I was presented with a new creative possibility; the challenge of putting together a Relationship Map, specifically in ink with touches of watercolour at the client’s request. The client came to me having seen something similiar on the internet, a digitally created relationship map. I have yet to reach those digital heights preferring instead good old fashioned pen and ink. The upside to producing such an illustration digitally is it takes much less time and its easier to correct mistakes! However, with careful planning and a real love for the entire process, it took me no more than ten days to produce from start to finish. It also helped that the client was very clear cut and open about what they wanted.

The Relationship Map was an anniversary gift, to mark the couple’s first year of togetherness. I think thats a beautiful thing.

AOH, Brighton & Hove 2024

The last weekend of Artists’ Open Houses is almost upon us! The festival has run from Saturday 4th May and concludes this Sunday 26th May.

Once again the house that I am exhibiting with - Jane Palmer & Friends - has been hugely successful with footfall of 500 visitors in one weekend! It really isnt surprising as there is so much on offer.

In the tranquility of Jane’s courtyard garden visitors can engage with Nigel Hunter’s beautifully tactile sculptures. Nigel’s works always sell well, and my personal favourite already has a red dot by it (sold!)

Inside Jane’s house there is a beautifully curated collection of fine art from ceramics by Stef Hunter (Nigel’s partner), paintings by Jane (oils - portraiture, landscapes, still lifes), Gabrielle Lord (mixed media burlesque figure works), John Haywood (watercolour landscapes) and myself (oils, narrative and figure works).

If the purse strings can’t stretch to original paintings, there are two browsers full of fine art prints - always a great alternative! A healthy selection of greetings cards are also on offer.

You will find Jane’s open house at Venue 11 on the Fiveways Artists Open Houses trail. Positioned right opposite Tilt Cafe, its a perfect open house for enjoying all thats on offer; art, coffee and cake alike!

New works 2024

I do love painting the figure and some of my most successful and popular paintings have been my figure paintings, but I’m feeling in the mood for a new project to kickstart 2024. So I’ve started a series of Plant Portraits painted on wood cradle panels, inspired by everyone’s love of houseplants and just plants in general.

So instead of working on canvas I have decided to complete this series on cradled panels, which are incidentally incredibly easy to hang, and, look great without a frame. Each cradle is 26 cm x 20 cm x 2 cm deep.

Another reason for the wooden cradle panel is I just love the ease at which the paint glides over the surface. Of course, the surface does need preparing with gesso (several layers if poss) to give a bit of bite to the oils, otherwise the paint will glide way too much and it will take many layers of oil paint for the paint to look opaque.

A further bit of news is I am currently planning to open my Folksy online shop to sell my Plant Portraits. To accompany the portraits, I will also be selling Plant Portrait greetings cards and prints of the original artwork. More on that soon…

Thanks for reading!

Tx